composition
view: reverse chronological | instrumentation | audio only
8'66" (9'), op. 25
tacet for any instrument or group of instruments with interactive electronics
The Hour Irrevocable (6'), op. 19
orchestra
Rumor (10'), op. 16
Mixed ensemble of 18
The Cry for Solace (Saxophone Concerto no. 1) (12'), op. 15b
alto saxophone and string orchestra
When Autumn Leaves First Light... (15'), op. 4
soprano, cello and jazz ensemble
new work (details forthcoming)
flute, alto saxophone, and harp
05.22.08 (in progress)
clarinet, alto saxophone, cello, piano, percussion (two), and sine waves
elect/twain (3'00", 22'00", or 37'00"), op. 37
two strings
[in]evitable selection (72'00"), op. 36
four strings
THE STATE OF THE inSIGNIFICANT (6'30"), op. 34
soprano saxophone and interactive electronics
[im]possibilities (10'00"), op. 33
beatboxer, saxophone, interactive electronics
(little fish) (17'20"), op. 32 soprano saxophone, acoustic, electric, and bass guitars, electronics
L!st3N (~18'45"), op. 30
male voice, alto flute, baritone saxophone, 'cello, contrabass, metals/dry ice, and electronics
Degradations IV-b (15'), op. 29
flute, oboe, viola, 'cello, and prerecorded electronics
(version two: flute, violin, viola, bass clarinet, and prerecorded electronics)
...as is. (10'), op. 28
flute and piano
Threnody/Incipient/Avoidable (~9'), op. 26
woodwind quintet
the power or means to decide (7'), op. 23
string quartet
for (4'), op. 21
Bb clarinet, Eb alto saxophone, and violin
Elevator Music (~6'), op. 20
alto saxophone and piano
The Cry for Solace (Saxophone Concerto no. 1) (12'), op. 15a
alto saxophone and string quartet (2nd Vl. + concert bass drum)
Over Many Hills (only to never return) (10'), op. 14
Bb clarinet and partially prepared piano
Further Excursions on LVB (or, Rondo a la Reich) (8'), op. 13
alto saxophone and piano
The Shimmering Chalice (3'), op. 12
two trumpets and two trombones
City could not stop (9'), op. 11
saxophone quartet and movie
Fanfare for the Fallen (4'), op. 9
brass quintet
A Collage of Visions: from here on earth (10'), op. 8
tenor and mixed chamber ensemble
Reflection (6'), op. 5
violin, piano, electric bass and tape
Music for Oboe and Piano (11'), op. 1
oboe and piano
tjugotre (0'30"), op. 38
flute, clarinet, or soprano saxophone
Crunch Time (0'59"), op. 35
prerecorded electronics
THE STATE OF THE inSIGNIFICANT (6'30"), op. 34
soprano saxophone and electronics
Tosherish (10'15"), op. 31
prerecorded electronics
Schema (11'30"), op. 27
viola and interactive electronics
Immersion (1'), op. 24
prerecorded sounds (two channel)
Degradations III-b (6'30"), op. 22
prerecorded sounds (two channel)
Degradations II-a (4-5'), op. 18
piano
Degradations I-a (3'), op. 17
piano
Modern Times (10'), op. 10
violin and movie
From my Balcony, I survey the Yellow air... (5'), op. 7
solo piano
Sans voix (10'), op. 6
solo performance for alto saxophone and piano reverberation
The Thirteenth Hour (11'), op. 3
solo performance for multiple trumpets, prepared piano, percussion, and delay system
Excursions on themes by Ludwig Van (11'), op. 2
solo piano